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Administrative Science Quarterly, Ithaca, NY: Graduate School of Business and Public Adminstration, Cornell University. June 1977. The cover of this scholarly publication features reproduction of the Talbot etching "Pig."

Art Now/ Chicago-Midwest Gallery Guide. Vol. 5. Kennelworth, NJ: Art Now, 1984. MW13. Contains a reproduction of Talbot's 1983 collage-assemblage "Temple."

"Artist Attacks 'No Child Left Behind' Act at Texas Conference." Delaware & Hudson Canvas Feb. 2007: 27. Feature article on Talbot's keynote presentation at the Texas Art Education Association 2006 Annual Conference.

ArtSpace Oct. 2008. Newspaper includes feature article on Jonathan Talbot and accompanying photographs

Audubon Artists 41st Annual Exhibition. New York: Audubon Artists, 1983. This exhibition catalog includes a reproduction of Talbot's painting "Reflections #2".

Bass, Ruth. "{Gimpel & Weitzenhoffer Gallery, New York; exhibit}." ARTnews 85 (1986): 153. Review with reproduction of Talbot's collage"Templum Americanum."

Begin, Aline. "Imaginaire Debordant...Inspirant!" Le Bulletin 21 April 2004 [Gatineau, P.Q. Canada]: A

Berkowitz, Amy. "Creating a 'big picture' through collage" The Times Herald Record, 31 March 2011 [Middletown, NY, USA]: 23. Talbot is mentioned in connection with his influence on collage artist Laura Breitman.

Gretchen Bierbaum. Creating Collage in All Dimensions. Hudson, OH: The National Collage Society, 2010. Discusses Talbot's technique and includes reproductions of the Talbot collages "Wanderjahr Patrin" and "Bruxelles Patrin No. 1."

Bloomfield, Maureen. "Cut and Paste." The Artist's Magazine January/February 2008: 42-49. In addition to text, article contains reproductions of Talbot works "Orrery Patrin," "Andrea's Comet" and "Neo-Suprematist Patrin No. 5."

Bostic, Mary B., ed. 2013 Artistis & Graphic Designer's Market. 38th Annual Edition, Cincinatti, OH: North Light Books, 2012. 74-80. Print. Contains a reprint of "How to Hang Your Solo Show" by Jonathan & Marsha Talbot first published in The Artist's Magazine in June 2011.

Bostic, Mary B., ed. 2013 Photographer's Market. 38th Annual Edition, Cincinatti, OH: North Light Books, 2012. 74-80. Print. Contains a reprint of "How to Hang Your Solo Show" by Jonathan & Marsha Talbot first published in The Artist's Magazine in June 2011.

Bouchard, Claude. "Collages Imaginaires." Le Droit 17 April 2004 [Ottawa, Canada].

Bowman, J. Scott. "International Collages on Display at Beach Museum." The Kansas State Collegian 12 Sep. 2002.

Gretchen Bierbaum. Creating Collage in All Dimensions. Hudson, OH: The National Collage Society, 2010. Discusses Talbot's technique and includes reproductions of the Talbot collages "Wanderjahr Patrin" and "Bruxelles Patrin No. 1."

Breese, Helena Day, Guys and Garages, Guilford, CT: Lyons Press, 2008. vii.Jonathan Talbot is mentioned in the acknowledgements.

Brommer, Gerald. Collage Techniques. New York: Watson-Guptill, 1994. In addition to reproductions of three Talbot collages, this book contains an overview of Talbot's "collage without liquid adhesives" technique.

Caparros, M. "Arrancan los Tallerers Internacionales de Arte de la Asociacion El Jardinico." El Faro 3 Aug. 2005 [Caravaca, Spain] : 13. Article detailing Talbot's workshop in Spain with accompanying photograph.

"Collage Conversation." Woodstock Times 30 Jan. 2003 [Woodstock, New York] : 34.

Cloth, Paper Scissors: Studios Summer 2010: 128-129. "Jonathan Talbot." Text accompanied by pictures of Jonathan Talbot's workspace.

Copeland. Dale. International Assemblage, Taranaki, New Zealand: Puniho Art Press, 2015. Contains pictures of two Talbot assemblages: "Cloister," and “Wáchanka” (“Medicine Shield.”)

Coyote, Peter. "Tracking Bob Dylan."The Outlaw Bible of American Poetry edited by Alan Kaufman. New York: Basic, 1999. 48-50. Coyote d iscusses Talbot, as "Juan Moreno," having introduced him to Bob Dylan*.

Creps, Bob, ed. Biographical Encycolpedia of American Painters, Sculptors & Engravers of the U.S. Land O'Lakes, FL: Dealer's Choice Books, Inc, 2002. Contains biography and signature examples

Dane, Barbara, and Irwin Silber. The Vietnam Songbook. New York: The Guardian, 1969. 90 Includes words and music to Jonathan Talbot's song "The Bride of American Town"

Davenport, R.J. Davenport's Art Reference and Price Guide. 1996.

Duncan, JJ. "Collage Arts Creates Life Metaphors From Range of Materials." The Kansas State Collegian 24 Oct. 2002.

Dylan, Bob. Chronicles. Vol. I, New York: Simon & Schuster, 2004. 22. Jonathan Talbot as "Juan Moreno" is briefly mentioned in connection with Dylan's early days in New York.*

Filler, Marion. "Jonathan Talbot Turns Gypsy Custom into Art." Daily Record: Fine Arts 22 Mar. 2002 [Morristown, New Jersey]: 17.

Forrest, Michael. "Jonathan Talbot: Social Awareness Through Art." Sussex County Voice 6 Nov. 1987 [Sussex County, New Jersery] : 18.

Gandsas, Alberto. Patagonia. Buenos Aires: Grupo Abierto Comunicaciones, 2003. Brief introduction by Jonathan Talbot.

Genacchio, Benjamin. "Piecing Things Together" The New York Times 18 Oct. 2008: 10. Review includes reproduction of Talbot's collage "The Bachelors Visit New York" and accompanying text.

Grosso, Michael. Millenium Myth. Quest Books, 1996. The cover of the 1996 paperback edition of this book features a reproduction of Talbot collage "Revelation."

Grosso, Michael. Soulmaking. Charlottesville, VA: Hampton Roads, 1997. The cover of the paperback edition of this book features a reproduction of the Talbot collage "Voyage."

Guardado, Pablo R. "Las lecciones del maestro Talbot." La Nueva España, Gijón, Asturias, España, 8 de julio de 2007. 

Hammel, Lisa. "This Menagerie Is a Very Quiet One." New York Times 29 Dec. 1975.

Harrison, Holly. Mixed-Media Collage. Beverly, MA: Quarry Books, 2007. 116-117 Contains a discussion of the evolution of Talbot's collage/painting "Pyrenees Patrin."

Hickey, Mary C. "Starting from Scratch." Times Herald Record, Middletown, NY, Etc. 3 Sep. 1979 : 3+ Photos and text related to Talbot's etching activities

Hull, Richard W.. People of the Valleys Revisited. Warwick, NY: The Warwick Historical Society. 132,241 Includes mentions of Talbot's art career and his role in the successful effort to prevent the State of New Jersey from dumping radioactive waste into Warwick's watershed.

"Internationally Known Collage Artist Jonathan Talbot at The Sharon Arts Center on Friday September 16th." The Amherst Citizen 13 Sep. 2005: 11. Article and photographs.

Jacobs, Trisha. "Collage Art: Mixing Up Soul Food." Peninsula Daily News 9 Apr. 2006: 7. Article feature Talbot and a photograph of himself and his painting

Jaques Cattell Press, ed Who's Who in American Art. 1976 and subsequent.

Johnson, Harald. Mastering Digital Printmaking.Cincinnati: Muska & Lipman, 2003.275, 292, 355 Talbot's machine-digital print The Gift is reproduced in this book which also includes a picture of "Pi Patrin."

"Jonathan Talbot: Painter, Printmaker and Collage Artist." Modern Collage Aug. 1998: 18-19. Feature article and cover art

"Jonathan Talbot Receives International Art Award." The Warwick Advertiser 11 Jan. 2002: 23.

"Jonathan Talbot; Virtuoso At Play." Ann Arbor Observer 1982: 54+.

Kaffan, Kolleen. "Jonathan Talbot: Portrait of an artist." Spectrum 20 Sept. 1990 [Sacred Heart Univerity, Fairfield, CT]. Discuses Talbot "Research and development" exhibition and includes reproduction of Talbot work "Endangered Species."

Kerouac, Jack. On The Road. Norwalk, CT: The Easton Press, 2001. Four Talbot collage/paintings illustrate this leather-bound commemorative edition of Kerouac's famous novel.

King, Serge Kahili. Mastering Your Hidden Self. Quest Books, 1994. The cover of the paperback edition features a reproduction of Talbot collage/construction "Cloister."

Leland, Nita. Confident Color. Cincinatti: North Light Books, 2008. 44-46 Contains reproductions of Talbot collage/paintings "Jam Session" and "Large NASCI Patrin."

Leland, Nita. New Creative Collage Techniques. Cincinatti: North Light Books, 2011. 61. Contains reproductions of three Talbot collages from the "Bachelors" Series:"The Policeman, The Priest, and the Cavalryman await their Companions," "The Bachelors meet the Venus de Milo," and "The Bachelors visit Long Island City."

Leland, Nita, and Virginia Lee Williams. Creative Collage Techniques. Cincinnati: North Light Books, 1994. Contains a reproduction of the Talbot collage "American Machine."

Lidov, Arthur. "Cover." The American Mercury Dec. 1947. The cover of this issue of The American Mercury, a no-longer-published magazine founded by H. L. Mencken, consists of a portrait of Jonathan Talbot painted by Arthur Lidov.

Liebenson, Bess. "12 Artist-Teachers Take Paper in Hand." The New York Times 11 July 1999. Review of Exhibition at the Connecticut Graphic Arts Center and discussion of Talbot's work "Freighter."

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Luby, Abby. "Collage Logic." Roll 10 Oct. 2008: 8-11. Contains reproduction of Talbot's collage "The Bachelors Visit New York" and accompanying text.

Martinez, Oscar. "El Jardinico Inicia Sus Cursos Con Las Ensenanzas de J. Talbot." El Faro Caravaca, Spain 7 Aug. 2006: 13. Article with photos describing collage workshop led by Jonathan Talbot.

Mohawk-Hudson Regional Art Exhibition. Albany, NY: Albany Institute of History and Art, 1981, Juror; Andre Emmerich. This exhibition catalog contains a reproduction of Talbot's painting "Waterfront Buildings-Troy, New York"

New Jersey Good Life Oct. 1991. Cover features reproduction of Talbot Collage/Construction "American Odyssey."

O'Brien, Scott, Sylvia Sidney: Paid by the Tear. Albany, Georgia: BearManor Media, 2016. 285-286 Talbot is mentioned and quoted about hs friendship with Jody Adler, the son of Sylvia Sidney and Luther Adler.

Patron's Supplement. New York: Associated American Artists, Summer/Fall 1975. This print catalog includes a reproduction of Talbot's etching "Pig" and related text.

Paysour, LaFleur. "Festival Brings Big Names to Uptown Charlotte." The Charlotte Observer 29 Apr. 1983: 1D+.

Petric, Faith. "The Folk Process." Sing Out! 40.3: 116. The Nov. / Dec. 1995 issue of this folk music magazine includes the lyrics to Talbot's song "I Dreamed I Saw Phil Ochs Last Night"(written to Earl Robinson's music)

Plowman, Randel. Masters: Collage. New York: Sterling Publishing/Lark Books, 2010. 168 - 175 Text and reproductions of ten Talbot collages including "Un Arbol Andaluz," "The Bachelors Visit New York," and "Sailor's Dream."

Richardson, Boyce. The Coffee House that Never Died. Dubrovnik: Karmen Publishers, 2015. 16, 17, 100, and more. Jonathan Talbot is disucssed and quoted extensively in this history of "The Troubadour," London's most famous coffee house of the 1960s.

Ross, Carolee, "Jonathan Talbot explores Marcel Duchamp at Flow of Art Gallery". The Hour. Norwalk, CT: 8, June 2008. Includes information about Talbot's work inspired by Duchamp.

Rothenberg, David. "Information Ecology." Parabola 25.1 (2000): 29-33. Includes a reproduction of Talbot collage "Revelation" as an illustration for the article

St. John, Sue, Journeys To Abstraction: 100 Paintings and Their Secrets Revealed. Cincinatti: North Light Books, 2012. 126. Talbot is mentioned as the developer of the technique used by Robin Colodzin to create her work "La Morte de Mmme. Blanchard."

Schattschneider, Doris. Visions of Symmetry - Notebooks, Periodic Drawings, and Related Works of M. C. Escher. New York: W.H. Freeman, 1990. Contains a reproduction of Talbot's 1973 Escher-inspired lithograph "Seals Two."

Schnessel, S. Michael, Icart. New York: Clarkson N. Potter, Inc, 1976. Acknowledges Talbot's contribution of techical expertise

Schubert, Suzanne. "Community Element 'nourishes me and my art'." ArtSpace 8.2 (2009) [Middletown, NY] : 6. Text and photo of Talbot painting "Bermuda Soundings."

Scully, Diane. "Secondary Division." NAEA News 51.5 Oct. (2009): 13. Talbot's view of art as improvisation is quoted in this article.

Seckel, Cornelia. "Culturally Speaking." Art Times Vol. 26 No. 5. March/April 2010: 16. Contains discussion of Talbot's creation of The Arts Map.

Sheridan, Sharon. "He'll stick with 'glueless' collage." Star Ledger 22 Jan. 1998 [Newark, NJ] : C1+. Full page + article disuicsses Talbot demonstrration at Millburn, NJLibrary.

Silber, Debra J. "Jonathan Talbot." Rev. of Research and Development, by Jonathan Talbot. The Bridgeport Post 23 Sept. 1990: D1+. Review of Talbot exhibition at Sacred Heart University. Contains pictures of Talbot collage-constructions "Temple" and "Endangered Species."

Slesin, Suzanne. "Art Lovers." O At Home Nov. 2005: 93, 97 Includes reproductions of two Talbot works; "Engine Room" and "Ad Priorem"

Snider, Deborah K. with an essay by Andrew Marvick. The Collages of Jonathan Talbot. Unionville, NY: Royal Fireworks Press, 2014. Includes an interview with Jonathan Talbot, an essay about the history of collage and Talbot's place in it, and reproductions of more than thrity Talbot collage/paintings.

Specht, Steven, and Talbot, Jonathan (co-authors), 2012, “Corpus Collagist: Use of Images of Human Bodies and Images of Body Parts as Elements in Contemporary Collage”, Knowledge of Bodies - Bodies of Knowledge (conference), Lousiville, KY, The Southern Humanities Council.

Steiner, Raymond J."Jonathan Talbot at Donskoj & Company." Art Times Oct. 1993: Review of Talbot's exhibition at this Kingston, NY gallery.Includes reproductions of Talbot's multile "Medicine Bundle."

Streigh, Fred. "To His Modern Fans Sherlock is Still Worth a Close Look." Smithsonian 1986. The top photograph on page 66 shows Jonathan Talbot's etching "Silver Blaze"

Talbot, Jonathan, and Howard, Geoffrey. The Artist's Marketing & Action Plan Workbook. Warwick, NY: Jonathan Talbot, 2005. Written with marketing expert Geoffery Howard. The exercises in this workbook enable artists to create a plan for marketing their work.

Talbot, Jonathan. "Best Glue for Collage." The Artist's Magazine March, 2011: 65. Technical discussion of the use of Acrylic Medium as the adhesive of choice for collage and possible alternatives for special situations.

Talbot, Jonathan, and Marsha Talbot."How to Hang Your Solo Show ." The Artist's Magazine June, 2011: 59-63. Discusses some of the basic considerations related to installing an exhibtion of your own work.

Talbot, Jonathan. "Celebrating the Feminine: The Collages of Leslie Fandrich." The Delaware & Hudson Canvas January 2016: 5. An Exploration of the collage works of Canadian born American artist Leslie Fandrich..

Talbot, Jonathan. Collage: A New Approach. Warwick, NY: Jonathan Talbot, 1999. Technical manual outlining new collage techniques developed by Jonathan Talbot.

Talbot, Jonathan. The Concerns of the Non Urban Artist. 1982. The report of an ad hoc workshop which took place during the conference on The Business of Art and The Artist at the University of Maryland, College Park, Maryland, June 9-13, 1982.

Talbot, Jonathan. Connecticut Collage. Marlborough, CT: The Connecticut Gallery, 1989. Contains 19 short essays by Jonathan Talbot.

Talbot, Jonathan. "Isn't It Strange." Songs for Peace (1995): 6-7. The Winter 1995-96 issue of this folk music magazine includes an article about Jonathan Talbot and the music and lyrics to Talbot's song "Isn't It Strange?"

Talbot, Jonathan . New Jersey Music & Arts Oct. 1973: 27-28, 30-31. Every copy of the Ocotber, 1973 issue of this magazine contained an original (hand drawn on multiple aluminum plates and individually numbered on the verso) three color lithograph by Jonathan Talbot called "Seals 2."

Talbot, Jonathan. "Piecing It Together." The Artist's Magazine July/August 2010: 38-45. A discussion of new trends in collage as exemplified by the works of Joan Hall, Laura Breitman, Kitty Kilian, and Pat Street..

Talbot, Jonathan. "Talbot's Keynote Speech." Contact: Newsletter of the Art Education Association of Indiana (2006): 10-11. Includes partial text of Talbot's 2005 keynote presentation to the 2005 annual convention of the AEAI

Touchon, Cecil. The Secret Life of Artists. Ontological Museum Publications, 2009. 53-54 Contains some Talbot reflections on archival concerns.

Tuttle, Susan. Exhibition 36. Cincinnati: North Light Books, 2008. 104-107, 156 Contains a Talbot essay on Playing Through One's Mistakes and a series of pictures showing the evolution of a small work called "Cometary Patrin."

Unterberger, Richie. White Light / White Heat. Berkeley, CA: Jawbone Press, 2009. 134 Contains an interview with Jonathan Talbot about his experiences opening for Nico & the Velvet Underground in 1967

Varet, Pierre Jean. L'Art du Collage à l'Aube du Vingt et Unième Siècle. Paris: Editions Artcolle, 2006. Contains a reproduction of Talbot collage "Large Planetary Patrin."

Varet, Pierre Jean. Les Téchniques de l'Art du Collage à l'Aube du Vingt et Unième Siècle. Paris: Editions Artcolle, 2007. Contains a reproduction of Talbot's collage/painting "Andrea's Comet".

Varet, Pierre Jean. L'art du Collage dans tous ses états. Plémet, France: Editions P.J. Varet, 2009. Contains a reproduction of Talbot's collage "The Bachelors Visit New York".

Varet, Pierre Jean. Petits collage en prose. Plémet, France: Editions P.J. Varet, 2014. Contains a reproduction of Talbot's collage "Miro Patrin No. 2."

Petits collage en prose by Pierre Jean Varet, Editions P.J. Varet, Plémet, France 2014. Contains a reproduction of Talbot's collage

Ventura, Cristian. "El Centro Murciano de Arte Grafico ." Revistart 2008 [Barcelona, Spain] , 103 ed.: 61. Article referencing a Talbot workshop in Spain with accompanying photographs.

Warren, Peter. "An Explosion of Creativity in Warwick Art Circles." The Times Herald-Record 13 Mar. 1991 [Orange County, New York] : 3.

Wills, Anneke. Self Portrait. Andover, Hants., UK: Hirst Books, Ltd., 2007. 114. Jonathan Talbot as "Juan Moreno*" is briefly mentioned in connection with Will's activities at The Troubadour Cafe in Earl's Court, London.*

Wlodzimierz Jan Zakrzewski / Punkty Odniesiena -Points of Reference,. Warsaw, Poland, Muzeum im, Xawerego Dunikowskiego, Oddzial Muzeum Narodowego w Warszawie, 2000: 146. This hardbound exhibition catalog mentions Talbot's friendship with Polish artist Wlodzimierz Jan Zakrzewski.

* "Juan Moreno" was the stage name used by Jonathan Talbot during his career as a flamenco guitarist, 1959-1963.

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